It has been commissioned as part of St Giles' Cathedral's 900th celebrations
St Giles’ Cathedral in Edinburgh will host an immersive art installation exploring community and commissioned as part of the historic site’s 900th anniversary.
900 Voices, which is also part of this year’s International Festival, features around 220 hours of interviews with residents of the city aged from three to 93 speaking about belonging.
The conversations have been added to a database which selects key-words from people’s conversations and then plays extracts through the cathedral’s multi-channel sound system.
Sound artist Zoë Irvine, who worked with public artist and designer Lindsay Perth and composer and sound designer Jules Rawlinson to create 900 Voices, explained that the combinations which are selected and played together are unique and listeners never have the same experience twice.
She said: “The way the installation works is using a bespoke computer programme that Jules has created that searches and sifts through all of the material and brings moments of conversations to the surface in relation to each other in different ways.
"I had this vision of what it would be like for people to experience the cathedral with all these different voices echoing around talking about belonging, connection and community.
“If lots of people are using the word ‘nature’ there might be a moment when nature becomes the theme – it might be a child and an older person, any person, brought together by common themes.
“We were sound checking the other morning, when we heard someone talking about the experience of being a single parent through one speaker, whilst through another speaker we heard a man talking about his sense of connection through being in a choir.
“That combination will never happen again, it shuffles all the time.”
At the moment around 270 people have taken part in the conversations but it is hoped that hundreds more interviews will be added up until the end of November.
The recordings took place in weekly sessions over several months at St Giles’ as well as in libraries and community centres, with volunteer recordists receiving training on how to use equipment and to guide the conversation.
Zoë said: “We ask about belonging, and connection and community and people have really different ideas about what these things are.
“Quite early on just asking people about those terms was incredibly rich. There are things people have in common but many things which are individual.
"Between 20 minutes and 45 minutes turns out to have been the natural 900 Voices conversation length. Some conversations that last 10 minutes, there’s one conversation that lasted three hours.
“We have a basic structure but what we have tried to be is good listeners, to be curious and empathetic.
“People have talked about really difficult things too – about recovering from alcoholism, health challenges, about racism, about prejudice – because in order to talk about belonging people have sometimes had to talk about not belonging.”
Asked about the uniqueness of the Church of Scotland building as a space, Zoë explains that the entire project is built around the layout, acoustics and technical equipment of the site.
She said: “The space of the cathedral is completely integral and the installation has been designed technically and aesthetically for St Giles.
“We did recordings at a play-centre with disabled kids and their parents.
“One of the things they were thrilled about was that their voices would be joining with other voices and be elevated by the acoustics of the cathedral and that was why they wanted to take part.
“Cathedral architecture is an incredible amplifier.”
Rev Dr George Whyte, the interim moderator of St Giles’, said: "For 900 years the voices of so many people have echoed round the walls of the Cathedral.
“It is entirely fitting that as we pass this milestone we hear each other talk about the things which matter to us and which we hold in common."
A service of thanksgiving and dedication for the international Festival will take place on Sunday 4 August at St Giles.
Details of how to visit the installation during the International Festival can be found at https://www.eif.co.uk/events/900-voices
900 Voices is open to the public every Wednesday from 4 – 6pm September to November. The work continues to grow with community events, more recordings, and a finishing event in December.
Picture credits: Peter Dibdin.
